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Restaurant’s Regular Customer Trades Valuable Painting for Grilled Cheese Sandwich

Most people have or make a grilled cheese to achieve a full stomach. They don’t expect that a melted cheese combination with pan-fried toast will turn into a small fortune. However, that was the case for one couple who focused on making and providing as many grilled cheese sandwiches as possible in a business day.

However, the perfect grilled cheese sandwich didn’t happen yesterday or last week. Instead, the recipe that made Irene Demas a name on a map started some 50 years ago in London, a major city in Ontario Province. At the time, Irene and her husband had just been married. Tony Demas was trying to find a break in real estate, but it was Irene who saw a different path in food. The two talked and decided on a location that was going to give them a start as a restaurant. They named their first eatery The Villa.

However, neither of them had worked in food, much less commercial kitchen food preparation, even as a short order cook. So, Tony started off the venture, but within a few hours he asked Irene to step in and cover the kitchen. So, Irene started off with what she knew best, how to make grilled cheese sandwiches. It worked out well since that was the only thing that Irene knew how to make anyways, aside from boiling some water in a pot.

Of course, grilled cheese snacks weren’t the only menu, and Irene did end up investing time in a culinary school to understand more about what to offer as well as how to make it well. In doing so, Irene developed a reputation for her cooking, and even got profiled on a local TV show. However, the grilled cheese sandwiches continued to be Irene and Tony’s standby signature meal, which the locals kept coming back for more. That, in turn, helped bring in the cash that kept the business going.

Interestingly, one of their regular customers was a pair named John and Audrey Kinnear. And, amazingly, they were quite interested in trading John’s artwork for lunch. In the 1990s, Irene and Tony had no idea who they were really talking to at the time. The Kinnears were simply local patrons and friends. Bartering seemed reasonable given the fact that Demas’ liked John Kinnear’s art and the Kinnears definitely liked Irene’s sandwiches.

Over time, Irene and Tony ended up serving the Kinnears on a regular basis, providing daily meals even for John in between his painting stints. In return, the Demas’ started picking up a few pieces here and there. One particular painting John gave them in trade for grilled cheese sandwiches covered a $25 tab and it was personal as well. John had painted his interpretation of The Villa, both as a payment and gift to the Demas’.

Much of John Kinnear’s work was in watercolors, soft and delicate but also eye-catching. Many of the images covered the local countryside or animals common to the area on farms or recognizable wildlife. As it turned out, however, John Kinnear’s work became far more popular over the years. And, for Irene and Tony Demas, the paintings that John provided them as food payment ended up being worth more than the meals provided, a lot more.

When all was said and done, the paintings that Irene and Tony collected from the Kinnears ended up years later being worth hundreds of thousands of dollars in the fine art world. Consider it dividends on a very delicious grilled cheese sandwich serving.

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Guam Kingfisher Released into the Wild After 40 Years of Extinction

Shannon Jackson

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For the first time in nearly four decades, the Guam kingfisher, known locally as sihek, has returned to the wild. Six of these vibrant birds were released on September 23, marking a historic milestone in conservation efforts.

The sihek, which once flourished in Guam’s forests, had been declared extinct in the wild since 1986 due to the introduction of the invasive brown tree snake. This predator decimated the island’s bird population, including the sihek, by preying on their eggs. Fortunately, conservationists launched a captive breeding program, which kept the species from disappearing entirely.

The six birds were released on Palmyra Atoll, a predator-free island located about 3,700 miles east of Guam. This release is part of a long-term project aimed at establishing a breeding population on the atoll as a first step toward eventually reintroducing the sihek back to its native habitat in Guam.

The road to this moment began earlier in the year, with the hatching of the first sihek chick of the season at Sedgwick County Zoo in Kansas. Given that only 45 breeding females remain worldwide, each successful hatch is a critical victory for the species. Specialists from various institutions, including the Zoological Society of London and the Smithsonian’s National Zoo, worked tirelessly to care for the chicks and prepare them for life in the wild.

After being flown to Palmyra Atoll in late August, the birds spent time acclimating before their release. Each sihek is equipped with a small radio tracker to monitor their movement, habitat use, and eventual breeding behavior. Researchers will be closely watching the birds in the coming months as they adapt to their new environment and hopefully establish territories for breeding.

The return of the sihek to the wild has been the culmination of decades of collaborative effort between organizations like the U.S. Fish and Wildlife Service, Guam’s Division of Aquatic and Wildlife Resources, The Nature Conservancy, and several zoos. Their goal is to build a sustainable breeding population that can one day thrive in Guam’s forests once the brown tree snake threat is under control.

Although the release is a reason for optimism, conservationists remain cautious. With only a few dozen sihek left, the species faces significant risks, from disease to natural disasters. However, the successful reintroduction of extinct-in-the-wild species, such as the red wolf and California condor, proves that with dedication and proper resources, these efforts can succeed.

As Donal Smith, a researcher with the Zoological Society of London, pointed out, maintaining endangered species in captivity is no small feat. “Reintroduction programs like this require years of preparation and coordination. It’s essential that conservation efforts continue to receive the support they need to prevent more species from being lost.”

The sihek’s release offers a glimmer of hope in the face of ongoing environmental challenges. If all goes well, these birds will one day fly free in the forests of Guam once again.

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From Conflict Zone to Conservation Triumph: Upemba National Park’s Remarkable Recovery

Shannon Jackson

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In the heart of the Democratic Republic of Congo (DRC), Upemba National Park is witnessing a remarkable transformation. Once dubbed the “triangle of death” due to rebel activity, this vast wilderness is slowly reclaiming its status as a thriving wildlife haven, thanks to the unwavering dedication of its rangers and conservationists.

The park’s tumultuous history began in 1998 when Bakata Katanga rebels sought refuge within its borders, leading to widespread poaching and devastation of wildlife populations. Elephants, lions, and zebras, once abundant, were pushed to the brink of local extinction. Even the park’s rangers, left unpaid during the Congo wars, resorted to poaching for survival.

However, recent years have seen a dramatic turnaround. Under the leadership of site manager Christine Lain, Upemba has secured crucial funding and revitalized its demoralized ranger force. The results are encouraging: elephant numbers have risen to about 210, while the zebra population – unique to this part of DRC – has rebounded from a mere 35 to an estimated 200.

Despite these successes, challenges persist. Poaching remains a threat, and the park faces potential disruption from nearby mining activities and oil exploration. To counter these pressures, park management is focusing on expanding the ranger force and conducting comprehensive biodiversity surveys to strengthen the case for Upemba’s protection.

The park’s recovery is not without human cost. Rangers like Sylvain Musimi continue to face danger from militant groups, with two rangers losing their lives this year alone. Yet, their commitment to Upemba’s restoration remains unshaken.

As Upemba National Park continues its journey from a conflict-ridden zone to a beacon of conservation, it stands as a testament to the resilience of nature and the dedication of those who protect it. The park’s story offers hope that even in the face of seemingly insurmountable challenges, conservation efforts can yield remarkable results.

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From Warzone to Wildlife Haven: Ukrainian Intelligence Rescues Symbolic Owls

Kelly Taylor

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In a heartening tale of compassion amidst conflict, Ukraine’s Defence Intelligence (DIU) has facilitated the rescue and relocation of two owlets from the embattled Kharkiv region to Kyiv Zoo. This rescue operation, carried out on August 1, 2024, highlights the Ukrainian military’s commitment to preserving life in all its forms, even in the midst of war.

The young owls, now named Arei and Magura, were discovered by members of the 92nd Separate Assault Brigade during a mission near Lyptsi village. Found in dire conditions within a war-damaged structure, the birds were immediately taken into care by the soldiers.

Following their initial rescue, the owlets were brought to the attention of Kyrylo Budanov, Chief of DIU. Given the owl’s symbolic significance to Ukraine’s Defence Intelligence, Budanov made the decision to provide them a new home at Kyiv Zoo, where they will reside in a specially prepared aviary.

DIU representative Andrii Yusov emphasized that this rescue exemplifies the Ukrainian forces’ dedication to protecting not just human lives, but also those of animals caught in the crossfire. The decision to house the owls at Kyiv Zoo was motivated by a desire to share this positive story with the public, particularly allowing Ukrainian children to interact with these native birds.

Kyiv Zoo’s CEO, Kyrylo Trantin, expressed gratitude for the military’s efforts and assured that the zoo would provide comprehensive care for Arei and Magura, including rehabilitation and adaptation support. This rescue serves as a poignant reminder of the zoo’s ongoing efforts to safeguard animals during wartime.

This heartwarming incident stands as a testament to the Ukrainian people’s resilience and compassion, showcasing their ability to nurture life and hope even in the face of adversity.

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Eco-Friendly Tourists in Copenhagen to Receive Free Food and Tours

Kevin Wells

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Visitors to Copenhagen who participate in environmentally-friendly activities, like litter picking or using public transport, can earn free food, cultural experiences, and tours as part of a new pilot program.

The CopenPay trial, running from July 15 to August 11, turns eco-friendly actions into rewards, according to Visit Copenhagen, also known as Wonderful Copenhagen.

For instance, visitors who bring plastic waste to the National Gallery of Denmark can join a workshop to create art from the materials. Those who cycle or take public transport to the city’s famous heating plant can ski down the artificial slope on the building’s roof.

“CopenPay rewards actions like cycling, participating in cleanup efforts, or volunteering at urban farms with access to a variety of experiences in Copenhagen,” said Wonderful Copenhagen in a statement. “This includes free guided museum tours, kayak rentals, and even a vegetarian lunch made from local crops.”

Copenhagen is known for its beautiful architecture, excellent food, and clean, green environment. It’s also a great place for cycling, with 237 miles of bike lanes and 62% of citizens commuting by bicycle, according to the tourism board.

“With CopenPay, we’re helping people enjoy more of what Copenhagen has to offer while reducing their environmental impact,” said Mikkel Aarø Hansen, CEO of Wonderful Copenhagen. “It’s about creating enjoyable and environmentally responsible experiences.”

Tourists can earn rewards by showing a public transport ticket, but the system is mostly based on trust. An online map shows over 20 participating venues. If successful, the pilot project could become a year-round program.

This initiative comes at a time of growing concern over the environmental and social impacts of tourism, which have led to protests in Barcelona, the Canary Islands, and Mallorca.

“We need to change tourism from being an environmental burden to a force for positive change,” said Hansen. “An important step is changing how we move around, what we consume, and how we interact with locals.”

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Longtime Friends Relive Woodstock After 55 Years with a Touch of Glamping

Jess

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In 1969, Beverly “Cookie” Grant hitchhiked to the Woodstock music festival without a ticket and slept on straw. Ellen Shelburne arrived in a VW microbus and pitched a pup tent.

Now, 55 years later, the two longtime friends returned to the famous site in upstate New York, but this time in style. The women, now 76, enjoyed a luxurious two-bedroom glamping tent with comfy beds, a shower, a coffee maker, and Wi-Fi. Unlike their first visit, there was no mud from drenching rains, and they had pavilion seats to watch shows by Woodstock veterans John Fogerty and Roger Daltrey.

“We’re like hippie queens!” Grant joked over breakfast during the trip earlier this month.

The Bethel Woods Center for the Arts, which runs the site, treated Grant and Shelburne to this special stay to promote its new glamping facilities. They also explored Shelburne’s collection of photos from the original festival held August 15-18, 1969.

The once-trampled hillside by the main stage is now a manicured green space near a Woodstock and ’60s-themed museum and concert pavilion. However, the return visit still brought back a flood of memories. Shelburne retraced her steps from when she was a 21-year-old college student, guided by the photos taken by her then-boyfriend and future husband, David Shelburne.

“I’m looking at this person in the photograph, who is me, but a person just starting out in life at that age. And now I’m looking back at sort of bookends of my life,” Ellen Shelburne said. “All these decades later, I’m back at Woodstock and it just brings it all up in such a positive way.”

Grant and Shelburne did not know each other in August 1969 and attended the concert separately. Shelburne came from Columbus, Ohio, with David Shelburne, his best friend, and another woman. They arrived early, bought ponchos after rain was forecast, and she slept in a pup tent.

“I was never cold, wet, hungry, muddy, dirty, uncomfortable, or miserable,” she said. “It was the total opposite.”

Grant went to Woodstock on a whim. A long-haired surfer named Ray invited her and a friend to hitchhike to New York for the festival. Her friend dropped out along the way, but she and the surfer made it to Bethel. The last driver dropped them off at the edge of the epic traffic jam outside the festival and gave them a blanket. Grant walked the last several miles to Woodstock barefoot.

Both women were amazed by Jimi Hendrix, The Who, and other musical acts, but also by the good vibes from the 400,000 or more people who converged on Max Yasgur’s dairy farm.

“If we needed food, someone gave us food. Someone gave us water. We needed nothing,” Grant said.

The two women met months later in Columbus, where they each ran shops near Ohio State University with the men they went to Woodstock with. Both married their concert companions, though Grant got divorced several years later. David and Ellen Shelburne ran a film and video production company together until he died four years ago. Grant moved to Florida and became a chef on mega-yachts before starting her own business providing crews for those big boats.

Each woman kept a spark of the Woodstock spirit. Shelburne said she’s “stuck in the ’60s and proud of it.” They got the idea to return to the festival site last year after sharing oral histories in Columbus for the Museum at Bethel Woods.

This time, during their long weekend of peace, love, and nostalgia, they stayed in a “Luxury 2 Bedroom Safari Tent” with a front deck and bathroom. When it rained, they stayed dry in the museum.

On a sunny Saturday, Bethel Woods senior curator Neal Hitch drove the women around in a golf cart to explore the spots where David Shelburne took his festival photos. Unlike others who focused their cameras on the stage, he documented festivalgoers camping, swimming, selling goods, relaxing, and having fun. Hitch noted that David Shelburne’s images are valuable because they are in sequence, telling a story.

At one stop, Shelburne stood by a tree line, holding a photo of a field full of campers. She was standing where her late husband took the photograph, looking at the same field, minus the campers, 55 years later. Visibly moved, she said “oh” a few times and let out a deep breath before exclaiming, “Wow!”

It broke her heart that her husband is not in the photographs, but she felt his presence that weekend.

The women explored the festival site over several days, from the stage area to the woods where vendors had set up stalls. Despite the changes—the luxury tents, the fences, the museum—they recognized the same mellow, friendly vibes they experienced as 21-year-olds. And they were thrilled to immerse themselves in it again decades later.

“It’s very wonderful to see that it’s in history forever,” Grant said, “and we’re a part of that.”

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